Sometimes the most powerful revivals happen when five master musicians gather in an intimate room and decide to resurrect the soul that made jazz matter in the first place. Jacob Rodriguez's world-traveling baritone sax brings the grit of San Antonio streets and the polish of Grammy stages, ready to channel stories through reed and breath that connect Brooklyn underground scenes to Blue Ridge mountaintops. Quinn Sternberg anchors this sonic revival with bass lines that don't just walk—they preach, transforming rhythm section duties into gravitational sermons that make everyone else sound sanctified.
Joe Enright treats his drum kit like a revival tent, his sticks weaving rhythmic narratives that bridge Asheville's mountain soul with metropolitan jazz sophistication, while Alex Taub's piano becomes both altar and architect, finding those sacred spaces between classical precision and jazz spontaneity where musical miracles happen. Andy Page completes this congregation with guitar work that's traveled from Switzerland's Montreux Jazz Festival to Japan's jazz cruises, bringing two decades of Blue Ridge wisdom and academic soul to every note.
At Little Jumbo Bar, where the walls themselves seem to lean in when real music is being born, prepare for an evening where the soul jazz tradition gets resurrected not through imitation, but through five musicians who understand that the deepest grooves come from the spaces where technique meets spirit, where mountain wisdom meets world-class artistry.
Some revivals don't need preachers—just musicians who remember why the music mattered.
Featuring
Joe Enright transforms every drum kit into a storytelling machine, his sticks weaving rhythmic narratives that bridge the gap between Asheville's mountain soul and metropolitan jazz sophistication. This is drumming as architectural engineering, where every kick, snare, and cymbal crash serves both the song's immediate needs and its deeper emotional blueprint. Enright understands that great drumming isn't about technical flash—it's about becoming the heartbeat that allows other musicians to...
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Quinn Sternberg doesn't just play bass—he becomes the gravitational center around which musical solar systems orbit, his four strings serving as the invisible force that holds melody and rhythm in perfect harmonic balance. In Asheville's intimate jazz venues, Sternberg has mastered the art of musical architecture, building rhythmic foundations so sturdy that horn players can stretch toward the stratosphere while drummers explore the outer reaches of syncopation. His upright bass doesn't...
Nestled in the Blue Ridge Mountains, Andy Page has become a cornerstone of Boone's vibrant music scene as a senior lecturer of jazz guitar at Appalachian State University's Hayes School of Music. For over two decades, this versatile virtuoso has woven his guitar strings through the fabric of the High Country's musical landscape, transforming local venues into stages of sonic storytelling. Together with his twin brother Zack, Andy has been known to arrive at open jams and parties, captivating...
Alex Taub started playing piano at six years old in Silver Spring, Maryland, which is not unusual. What's unusual is that by thirteen he had found his way to jazz — studying under pianist Jon Ozment and performing around the D.C. metropolitan area while most kids his age were still deciding whether to keep taking lessons. The instrument chose him early, and he had the good sense not to argue with it.
At East Carolina University, he played in the Jazz Ensemble and performed at Lincoln...
From San Antonio street corners to Michael Bublé's Grammy-winning stages, Jacob Rodriguez has woven a musical tapestry that spans continents and genres. This Manhattan School of Music alumnus doesn't just play saxophone—he channels stories through reed and breath, whether he's painting midnight hues with Ambrose Akinmusire in Brooklyn's underground scene or igniting arena crowds alongside pop royalty. Now nestled in Asheville's Blue Ridge embrace, Jacob has become the valley's secret weapon,...
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